Anne Carson’s indomitable look.
![saltcathedral:
“The Rubber Duck knows no frontiers, it doesn’t discriminate [against] people and doesn’t have a political connotation. The friendly, floating Rubber Duck has healing properties: it can relieve mondial tensions as well as define them.” — artist Florentijn Hofman](http://25.media.tumblr.com/fd5063b501ca2d3c66a5ba8b40563444/tumblr_mm6j6qNFnB1qjlaoao1_r1_500.jpg)
“The Rubber Duck knows no frontiers, it doesn’t discriminate [against] people and doesn’t have a political connotation. The friendly, floating Rubber Duck has healing properties: it can relieve mondial tensions as well as define them.” — artist Florentijn Hofman
On behalf of PEN Center USA and Narrow Books, I’m very proud to announce the slate for The Rattling Wall, Issue 4!
Three, James Salter
Who Is Harry Kellerman And Why Is He Saying Those Terrible Things About Me?
Who Is Harry Kellerman And Why Is He Saying Those Terrible Things About Me?, Ulu Grosbard.
92y:
Sam Waterston, Charlotte Rampling and Robie Porter in James Salter’s lost film, “Three” (1969).
Susan Sontag introduced James Salter at a 92Y reading in 1997 with “If he can be described as a writer’s writer, then I think it’s just as true to say he’s a reader’s writer; that is, he’s a writer who particularly rewards those for whom reading is an intense pleasure and something that is a bit of an addiction. I myself put James Salter among the very few North American writers all of whose work I want to read and whose as yet unpublished books I wait for impatiently.”
Salter returns to 92Y on Monday night (Apr 29) with Richard Ford.
